Who Paintin' Dis Wandjina? examines the impact of hundreds of spray-painted images of Wandjinas (pronounced 'wannias') in Perth and surrounds.
Wandjinas are a symbol of the creator of fertility and rain for the Mowanjum Aboriginal peoples in the Kimberleys and are not part of the culture of the Noongar Aboriginal people of Perth.
Aboriginal elders in the documentary express their concerns that the Wandjinas are taken to Perth. They are 'hurt' by the thoughtless use of a symbol which has to have a story and a meaning behind it in order to be replicated. "It's more than a painting, it's a lifestyle," they say. Following proper cultural protocol, only Aboriginal people who went through the law are allowed to use Wandjinas.
In Who Paintin' Dis Wandjina? director Taryne Laffar lets also speak the graffiti artist without revealing his (or her) identity.
Our people get upset when they see Wandjinas [in Perth] when it should be [in the Kimberleys].—Aboriginal elders
| Cast |
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|---|---|---|---|
| Release dates | 2007 | ||
| Video/DVD Release Date | not available | ||
| Awards | not available | ||
| Rating | G - general | ||
| Language level | easy | ||
| Distributor | not available | ||
| Soundtrack | not available | ||
| Genre | Documentary | ||
| Notes |
Learn it from Aboriginal people:Keeping the Wanjinas Fresh tells the story of Sam Woolagoodja, who was responsible for repainting the sacred Wanjinas in many of the rock shelters of the Kimberleys. |
Wandjinas sprayed in the greater Perth area. Aboriginal elders don't approve of the use of their symbol outside its designated area, the Kimberleys. Images: technobohemian, Flickr
The Mowanjum people of the Kimberleys (north-eastern Western Australia) comprise three language groups, the Worora, Ngarinyin and Wunumbal [2].
To these people, the Wandjina is the supreme Creator and their ancestors have been painting Wandjina and Gyorn Gyorn figures in rock art sites scattered throughout the western Kimberley for millennia. This is the oldest continuous sacred painting movement on the planet.
Unique to the Mowanjum people, Wandjinas have large eyes, like the eye of a storm, but no mouth. It is said they have no mouth because that would make them too powerful. They are often depicted with elaborate headdresses, indicating different types of storms.
To the Mowanjum people, the elegant, elongated figures of the Gyorn Gyorn depict their long-ago ancestors, before the Wandjinas brought the law. Gyorn Gyorn paintings in rock art sites have been dated at 20,000 years and are often over-painted with Wandjinas and other imagery. These figures are sometimes known as Bradshaws.
Three Wandjinas painted by a contemporary artist of the Mowanjum Art and Culture Centre. Image used with kind permission.
Mowanjum people continue to paint the Wandjina image, reinterpreting this astonishing tradition through contemporary practice and mediums.
The Mowanjum Art and Culture Centre in Derby is a 100% Aboriginal-owned art centre, managed by a committee of artists. The Centre provides significant income to many Aboriginal community members through the sale of works of art and also supports important social and cultural activities, including the transmission of culture.
[1] http://rosemary.id.au/view/blog/wandjina/ [2] Text courtesy of Mowanjum Art and Culture Centre, edited by Creative Spirits
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