- Percentage of Australians who think that Indigenous arts are "important to Australian culture" .
- Percentage of Australians who attended arts created or performed by Aboriginal artists in the past 12 months .
- Percentage of Australians who did not attend but have a "growing interest" to do so .
- Percentage of Australians who have a strong or growing interest in Indigenous arts .
- Minimum percentage of the total art works sold in Australia that was created by Aboriginal artists.
- Volume of Western Australia's annual Indigenous art exports in 2008 .
- Box office sales of Crocodile Dundee, the best-selling Australian film .
- Box office sales of Rabbit-Proof Fence, at number 28 the highest-ranked Australian film about Indigenous issues .
- Percentage of surveyed Australians who did not support a separate public gallery of Aboriginal art in Sydney. Only 33.7% said 'Yes' .
Why Australia’s Aboriginal rock art will disappear
In 2060 Aboriginal art in Australia might have all but disappeared. Pollution, development, bureaucrats, vandals and animals all play a role.
Bradshaw (Gwion Gwion) rock art
Bradshaw (Gwion Gwion) paintings could provide answers to archaeology’s big questions.
They are very old, yet beautifully painted. Most of them are well hidden in the Kimberley.
Learn about Australia’s first Aboriginal theatre company, founded in 1972, and other theatres that came after it.
Australian Aboriginal artists
Browse a concise list of Aboriginal artists—painters, photographers and writers.
Bangarra Dance Theatre
Bangarra Dance Theatre is a successful Aboriginal performing arts company fusing Aboriginal culture with contemporary dance.
Their performances have excited audiences worldwide.
Aboriginal art in contemporary architecture
Architecture in Australia is starting to incorporate Aboriginal art on a larger scale than anytime before. A sign of Australians reconciling with their past?
Black face & minstrel shows
White actors mimed Aboriginal characters by wearing blackface, a practice considered normal until the mid-1950s.
Today more and more Aboriginal people play black characters, but blackface continues to be used occasionally, sparking debates about whether it is racist.
Zorba the Greek Aboriginal style: A dance sensation
When the Chooky Dancers from remote Elcho Island showed their Yolngu version of Zorba The Greek the world went nuts.
Aboriginal art is about more than paintings
Aboriginal paintings are knows to art lovers around the world. But Aboriginal art also includes dance, theatre, music, story telling and ceremonies.
Learn about sacred tjuringas, pukomani poles and the dying art of shell stringing.
Aboriginal musicians doing it tough
Aboriginal musicians struggle to get their music played, one barrier being the large distances in remote Australia.
Deadly Sounds is a radio programme trying to give Aboriginal music more airtime.
Aboriginal art in unusual places
Planes, trucks, cars and buses—Aboriginal art made it on each of those.
Browse contemporary Aboriginal poems, an art not often found in mainstream media.
Are dot paintings traditional Aboriginal art?
It is unknown to many that Aboriginal painters introduced the dot painting technique in the early 1970s, stimulated by a white school teacher.
Dot paintings from Papunya have become one of the most important phenomena in Australian art.
Aboriginal cultural festivals
Find out the plethora of Aboriginal festivals in Australia celebrating culture and art.
What are Wandjinas?
Discover the sacred wandjinas and that it is not good to paint them without permission.
Aboriginal art profits
You will be surprised how little Aboriginal artists are paid in many cases, while their paintings fetch prices in the millions.
Aboriginal rock art
Australia has some of the oldest and largest open-air rock art sites in the world. Aboriginal rock art sites can be found almost everywhere in rural, remote and even urban environments. It offers an insight into extinct species, spirituality and relationships.
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What is the best way to learn about Aboriginal art?
Curator and consultant Wally Caruana, who for 20 years worked at the National Gallery of Australia in Canberra, says the only way to start learning about Aboriginal art is to look at as many works as possible in museums and good galleries.
The last words are most important because so much of what we see is bad. Aboriginal art is everywhere: at airports, in kitsch shops, on the walls of your doctor’s waiting room. You are forgiven to believe that that is “Aboriginal art”.
Art dealer Michael Reid says even many of the pieces in commercial art galleries are poor because time has not yet filtered out the bad ones .
There is, in fact, great diversity in Aboriginal art. The three main traditions are watercolours from Hermannsburg, acrylic paintings from the Western Desert and Arnhem Land barks . But there’s so much more: works on racism by Gordon Bennett, tutini from the Tiwi Islands, the created worlds of Tracey Moffatt’s photographs.
Tip StartLocal lists hundreds of Aboriginal arts and crafts shops all over Australia. You can search by postcode or suburb.
Fact While Aboriginal art is one of the key tourist attractions for Australia there is not a single museum in Australia solely dedicated to showcase Aboriginal art.
There is no one word in any Aboriginal language for the term 'art'. Art forms are viewed as an integral part of life and the celebration of life.—Penny Tripcony, Manager, Oodgeroo Unit, Queensland University of Technology 
What is ‘rarrk’?
Rarrk is a form of cross-hatching where artists overlay lines of different colours. It was originally done on the bodies of initiates, and when people died.
Different types of rarrk were specific to certain clans. “You can actually identify an artist to a particular clan just by looking at the cross-hatching,” says senior curator of Aboriginal art, Franchesca Cubillo .
Ancestors are usually hidden beneath the layers of rarrk, revealed fully only to certain initiated people.
So you think Aboriginal art is old?
Many people believe Aboriginal art has to be old because Aboriginal culture is old.
Aboriginal art, as a movement, is usually dated to 1971, when a white teacher, Geoffrey Bardon, encouraged the men at Papunya, a settlement 240 kilometres north-west of Alice Springs, to paint a mural on a school wall.
Aboriginal art wasn’t widely sought after until the late ‘80s. It post-dates postmodernism.
Fact Aboriginal art was only discovered by outsiders as “unique and distinctive” about 1988, the bicentennial year, according to Aboriginal curator Hetti Perkins .
Fact Artists from ‘remote’ areas are more likely to be institutionally collected if they were not art-school trained. The opposite is true anywhere away from those remote locations. 
Aboriginal art is art made by Aboriginal people and as much as art can be a physical object; an Aboriginal mind and an Aboriginal person are works of art and a 'dreaming'.—Djon Mundine, Bundjalung man and Aboriginal Curator, Campbelltown Arts Centre 
Aboriginal art has always provided such a groundbreaking edge, has always been on the cutting edge, making statements and challenging, educating and promoting.—Franchesca Cubillo, Senior Curator, National Gallery of Australia 
Understanding Aboriginal paintings
Non-Aboriginal viewers of Aboriginal paintings usually finds it easy to appreciate the Western aspects of it such as minimalism, abstraction or expressionism. But it is much harder to understand the more spiritual aspects.
Aboriginal artists don’t simply play with the formal elements of colour, space and composition . They are actually painting their ‘country’, a term that means to them much more than just landscape. Aboriginal people believe the land owns them, so such paintings are much closer to portraiture .
In Aboriginal history, things don’t happen in time, they happen in place. Aboriginal artists are painting these places.
Many Aboriginal paintings have several layers of meaning. “The outer layers might be appreciated by people who recognise them as animals, hunting guides or creation stories,” explains Keith Munro, an Aboriginal art curator . “Then there might be a significance that only the initiated can appreciate, then a final layer that only can be understood by the artists themselves, or senior law-men.”
John Mawurndjul, a renowned bark artist from the Kuninjku people of the Northern Territory, deliberately hides the meaning of his works. To completely decode them one must understand not only the visual vocabulary he is using but also the new ways he is deploying it . One must, in other words, have access to knowledge reserved only for some ritually elder members of the Kuninjku people, and perhaps one or two outsiders. Only to these few is the work fully transparent.
Think? What do I feel? I feel they want to go home.—Answer of an Aboriginal friend of mine to the question 'What do you think of these Aboriginal paintings?'
Aboriginal art is not “Aboriginal art”
Sounds wrong? It becomes clear what the headline means when you consider that there is no uniform “Aboriginal people” across Australia.
All across Australia there are tribes with their own customs, ceremonies and art styles. To speak of “Aboriginal art” would be too generic in most cases.
Instead, and to be more precise and respectful, you should start thinking about Pitjantjatjarra art and Mowanjum art, Nauo weapons and Walpuri music, Jaralde clothing and Wambaria string bags.
You wouldn’t want to be labelled as an “earthling” or “south hemispherian”—you want to be called an “Australian”, or even a “Sydneysider” or “Perthite”, right?
Phases of Aboriginal art collecting
According to Djon Mundine, art curator, writer and artist, there are various phases of Aboriginal art collecting .
- Early traditional art from the beginning of time;
- the discovery of bark as a medium of art;
- early European influences;
- the beginnings of Western desert dot painting;
- acknowledgement of art as a contemporary practice, and the re-emergence of south-east urban art;
- the appointment of art curators; and
- the de-politicisation of Aboriginal art.
For Aboriginal people, art is a cultural expression… a statement through a series of life experiences of self-definition, a recounting of an untold story and the bringing to life of a truth in history—a statement possibly unable to be made in any other way.—Djon Mundine, Aboriginal artist 
Fact Ernabella Arts in Alice Springs, Northern Territory, is Australia’s oldest Aboriginal arts centre. It started in 1948 and is renown for its batik, weaving and ceramics work.
First Indigenous artist wins Blake Prize for Religious Art
Stations to the Cross (detail): An image which blends Indigenous art styles with stories of Christian belief.
In August 2007 Shirley Purdie became the first Aboriginal artist to win the Blake Prize for Religious Art with her painting Stations to the Cross.
Shirley’s painting is a good example of how Indigenous artists blend their art styles with religious beliefs they were taught during mission days or adopted later in life.
In 2008 Shirley also won the Needham Religious Art Prize for her painting Ngabuny Ngarrangkarni (Jesus Dreaming). She collects the ochres used for her paintings from her own country .
For many Aboriginal artists Christian beliefs can coexist with their traditional belief system.
Learn more about Aboriginal spirituality.
National Aboriginal and Islander Skills Association (NAISDA)
Beneath The Ancestors was a NAISDA performance that performed to music of, among others, Beethoven.
NAISDA Dance College performs contemporary Aboriginal dance. Instead of professionals as with the Bangarra Dance Theatre you’ll experience students, instead of the Opera House you’ll be seated in smaller venues. But the experience can fill your soul no less.
NAISDA was established in 1976, addressing a demand for contemporary Australian Indigenous dance in the early 1970s. It combines ideas of Aboriginal dance creators with western-trained choreographers and traditional cultural owners.
Many NAISDA graduates continue on with Bangarra where they play key roles both onstage and off, provide role models for other Aboriginal and Torres Strait Islander youth and inspire their communities.
Return of Aboriginal artefacts
- Number of artefacts collected by missionaries for an exhibition commissioned by Pope Pius XI in 1925 and still stored in the Vatican .
- Percentage of surveyed readers who think Aboriginal artefacts should be sent home .
Thousands of aboriginal artefacts are in the hands of private collectors, museums and institutions. They were legally purchased, given as a gift or brazenly stolen. Many Aboriginal people want to have them returned.
Sacred or secret Aboriginal artefacs include paintings, stone tjuringas, wooden artefacts such as men’s dance boards, bullroarers, shields, paddles, pubic covers, funeral poles and boomerangs. Some of these have been used ritually as recently as the 1970s . Ceremonial trees are the largest sacred objects.
Australian law states that Aboriginal artefacts do not have to be handed back if they were stolen or given before 1969 . This suits collectors who are fascinated by items that were made for an original purpose other than sale. For them, sacred objects used for rituals have always been the most desirable.
In the mid-2000s the Australian government lobbied the UK to change laws that prevented the repatriation of human remains. No equivalent move has been made for cultural items. In Australia, NSW is the only state without proper Aboriginal cultural heritage laws .
Returning Aboriginal artefacts needs a lot of consultation so the proper custodians can be found. But Aboriginal people are keen to control their own culture. They want to take charge of finding solutions for appropriate returns.
Last updated: 20 April 2013 | Out of respect for Aboriginal culture I use Indigenous sources as much as possible.
 'Indigenous arts get a boost', Koori Mail 486 p.12
 'Mundine set to tell stories in sandstone', Koori Mail 484 p.51
 'Warmun artist a winner', Koori Mail 422, p.38
 'Storylines', survey of 'non-remote' Indigenous artists, 12/2009, www.storylines.org.au
 'Spotlight on Half Light', Koori Mail 440 p.50
 'World's first chemically protected Indigenous artwork', www.news.uwa.edu.au, 25/9/2008
 'Indigenous arts - a growing enterprise', Koori Mail 472 p.18
 www.film.org.au/feature_boxoffice.htm, visited 12/10/2009
 SMH poll, 25/2/2012
 'Painting a vivid picture of Aboriginal traditions', SMH 10/12/2011
 'Should indigenous artefacts be sent home?', SMH 10/9/2011
 'Bark with bite', TimeOut Sydney 21-27/5/2008 p.38
 'The art of living', Sun Herald 5/9/2010
 'An outsider joins the dots', SMH Spectrum 28/08/2010
 'Ancient treasures emerge from Vatican vault', Sun Herald 17/10/2010
[xx] 'Vibe rocks into Sydney, Ceduna', Koori Mail 442 p.60